
Between the release of bullethell shooters that keep the name Cave warm in the hearts of the gaming faithful, the niche developer’s latest offering tackles the platforming genre and gives players a chance to perform puppet theater for an audience.
NIN-JA finds himself caught up in a classic quest to save a Princess, his striking red scarf always caught on the fixed wind in a world of painted backdrops and paper characters. Animation is largely reserved for the audience occupying the bottom of the screen, ever anxious and vocal while watching the player navigate Cave’s obstacle course.


It’s not difficult to imagine EA sitting down with Crytek, somewhere in the indeterminate space between Crysis and Crysis 2, fingers tented carefully and asking “Can you make it more like Call of Duty?” I don’t mean “It’s a funny joke to think about,” I mean I believe this happened. I believe it occurred in our discrete reality.

