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November 23, 2014

Review – Freedom Wars

Filed under: Reviews — Tags: , , , , , — Jamie Love @ 7:56 pm

Freedom Wars Review
We typically approach new games in search of an immediate clarity. Though the fundamentals might be familiar enough to allow us to find a quick footing, we want for instruction on the finer details of our abilities and objectives – the rules of the game.

Freedom Wars addresses this want by placing players in the role of an amnesiac in need of education regarding those points of play. And that, my dear sinners, is only the first of many crimes you’ll be punished for in this desperate new world.

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December 11, 2012

Welcome to the Jungle

Review Tokyo Jungle

-START-

A fresh litter of calico kittens play atop the deserted shops of Shibuya, soon abandoning the safety to follow the lead of their most curious sibling into the rainy streets below. The pack quickly tests their claws and teeth against the helpless chickens and pigs that scatter in panic at the sudden emergence of the newly born predators.

Though the kittens will quickly grow larger from the feast, the never-ending red pangs of hunger and scarcity of prey will drive the pack from the shops of their youth toward the broken streets of Shibuya Station. The young cats push forward while claiming the stray rabbits and chicks seeking shelter in the patches of forest slowly reclaiming the land through cracking cement and decaying automobiles.

Marking their territory along the way, the cats could easily choose to settle into their nest atop the train tracks and relinquish the fight for survival to a new generation. But youthful exuberance and curiosity causes them to follow their pack leader further in the search for new prey and territory to conquer. And as the swarm reaches Dogenzaka, the prey becomes dangerously scarce, changing the balance of this struggle as they encounter a cougar seeking to feed the same need.

Despite their numbers, several of the cats immediately fall to the wild swipes of this predator. Though two escape down a narrow alley, the beat of hunger pounds in rhythm with falling health to see them surrender to the scavengers overhead as they lay down in the street and lose their bid for rule over the Tokyo Jungle.

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December 10, 2012

And Now A Post About Boxart…

Filed under: Editorial Rants — Tags: , , , , — Jamie Love @ 2:07 pm

The Last of Us
With the recent dismay of many to the boxart for next year’s Bioshock Infinite, and Irrational’s Ken Levine making the case that such visual concerns are a marketing tool for garnering the interest of those unfamiliar with a game versus those already invested, I’m going to go sideways and give a nod to the cover for Naughty Dog’s upcoming post-apocalyptic tale, The Last of Us, which recently cemented its exclusive PlayStation 3 release date as May 7th, 2013.

Levine certainly isn’t wrong that the cover for any product is a critical marketing window to consumers, a key opportunity to make a statement about the product.

While The Last of Us doesn’t feature the rare punch to the face marketing pitch I might normally champion as a gamer, the image has grabbed me instead for its subtle message about the comprehension of the subject matter it aims to create a convincing world from for its characters, so much so that I feel the need to spew a few words exploring just how it does so below.

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December 9, 2012

Sweet’N Low – Sound Shapes

Filed under: Editorial Rants — Tags: , , , , , , , — Jamie Love @ 2:06 pm

Sound Shapes
Have you ever really lamented leaving a coin behind?

I mean, when we need some money to pay the shopkeeper, or find ourselves forced to collect every coin in order to complete a level or win a challenge, we begrudgingly do those things. But if I only grab two coins while fumbling through a Mario stage, it’s hardly something that keeps me from leaping toward the flagpole and moving on to the next stage.

Maybe there was a time when I attempted to collect all the rings with Sonic, but forever abandoned the idea after getting hit by an enemy and watching them all shoot across the screen – that’s trickle-down economics for you!

But Queasy Games’ Sound Shapes, released earlier this year, offers up something rather brilliant in the realm of obsessing over every collectible, despite the very real risk of repeated failure on the part of the player. Each stage starts in relative silence, save for the strange rhythmic chants of critters sparsely spread throughout the environment.

Collecting a coin adds a musical note to the proceedings, the everyday visual subtraction of a collectible object earnestly bringing the stage to life for the trouble, and visually replaced by the beating pulse of the note in time with the evolving score. In this way, the idea of suddenly leaving any coin behind robs the landscape of its full potential, denies the player a complete harmony at the finish line, and necessitates that no note be left unplayed – a grand recalibration of want and need on a subject that has lazily floated its existence between the tediously obligatory and the entirely optional.

With most rhythm games, missing a few notes is no big deal; the song continues and the chance to improve remains intact. But here there’s a demand for completion.

Simplicity is at the core of mechanics continually capable of boundless elasticity, offering stages wrapped in albums that all deliver distinctly unique sensations with the same tool set. You can experience the chill Zen tactile pleasure and you can have the retro flavored platforming challenge within the same framework.

And then there’s the entirely fresh thesis of Corporeal, a contribution from Superbrothers that cements the achievement of Toronto’s collaborative development space – tracks that place players within soulless corporate spaces to discover beats and rhythm while traveling to the hellish heart of some lost idea of conformist machinery. The trip is something of a beautiful nightmare, grasping at some idea of what the structure of society looked like to a six-year-old version of myself.

A lot of people will tell you that Sound Shapes turns music games on their ears, but it’s difficult to know what that means without stealing some quiet space and time with the game. Its full intent hasn’t been easy for me to divine since its release, but I’m scratching at some idea of exploring the relationship between sounds and the sources that create them, an earnest attempt to enable players to feel what they hear and vice-versa.

Persona 4’s candy pop aesthetics may well be the Vita’s saving grace this year, but Sound Shapes represents something more enduring for the soul ,with a thesis on sound and play that offers a fresh path toward undiscovered territory in lands generally considered barren.

November 25, 2012

Review – PlayStation All-Stars Battle Royale

Review PlayStation All Stars Battle Royale
When PlayStation All-Stars Battle Royale was announced it immediately drew comparisons to another popular game series, and it’s not hard to see why. All-Stars practically begs to be measured against Nintendo’s Smash Bros. franchise.

Normally I would try to avoid a point-for-point comparison of two titles, but All-Stars pulls so much from the Smash Bros. games—without even a hint of subtlety—that I think it’s only fair to compare the two, mercilessly. You can expect to find many such comparisons ahead.

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October 30, 2012

Review – The Unfinished Swan

Filed under: Reviews — Tags: , , , , , , — Jamie Love @ 4:08 pm

Review The Unfinished Swan
A storybook framework introduces players to Monroe, a young boy left alone, with only a single unfinished painting to remember his mother by – the unfinished swan that serves both as the game’s title, and as the breadcrumbs soon leading players through the looking glass, or canvas in this case, as the swan wanders off into the unseen space of the painting one fateful night.

As emotional charged as the premise sounds, explaining the digital offering is a challenge – another one of those Move titles you’d be better served by picking up and experiencing firsthand rather than reading my scribbles on the subject.

Though I’m obviously going to scribble about it anyway.

The game offers no tutorials or guidance to start the exploration either, which is confusing for all of two seconds as players find themselves holding the Move controller and staring into a blank white space.

At least, it should only take a second or two before you press the button that causes Monroe to use his brush, tossing a gob of paint into the void to find it quickly splatter against the environment that secretly surrounds you.

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October 23, 2012

Review – Silent Hill: Book of Memories

Filed under: Reviews — Tags: , , , , , , , , — Jamie Love @ 9:04 pm

Review Silent Hill Book of Memories
Living up to its name, the Book of Memories allows those that possess it to change the memories of others, essentially warping events in their favour to gain anything their little heart’s desire. Since said book arrives from the twisted town of Silent Hill, the consequences are inevitably twisted as well.

Changing memories in your favour comes at the expense of someone else’s good fortune. At least, I think that’s how this works.

After an initial delivery from a familiar postman, narrative depends on snippets of text, which during the first level detailed one person’s troubles at work, eventually leading to my own character getting a promotion because of said woes by the level’s completion. As with Silent Hill: Downpour earlier this year, the series seems continually flustered in the attempt to capture the essence of minimalist story telling that has made previous entries in the franchise successful.

The less-is-more approach here feeds detachment from events and characters that players have no emphasis or opportunity to make a connection with, which severely hurts the grind of play the game offers as the main course.

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