Gamesugar

September 29, 2011

Review – Kirby Mass Attack

Filed under: Reviews — Tags: , , , , , , , , , , — Mister Raroo @ 4:05 pm

Review Kirby Mass Attack
HAL Laboratory was the first developer to truly show just how cool games could be on the Nintendo DS. Those of us who survived the dark, dreary days that were the DS’s first few months of existence know how slim the pickings were. But, like the sun breaking after a long night, along came Kirby Canvas Curse, and gone was any buyer’s remorse we had been feeling.

Canvas Curse skillfully demonstrated that the DS’s touch screen could be used for more than gimmicky mini-games, while also taking the Kirby series in an interesting new direction. I still play it on a regular basis all these years later – it is fabulous, and if you haven’t played it, do yourself a favor and track it down immediately.

Now we find ourselves in the twilight of the Nintendo DS’s reign, and HAL returns once again with an absolute knockout release. Kirby Mass Attack, like its cousin Canvas Curse, does away with a traditional control scheme and opts instead for stylus-driven control. Thankfully, the wizards at HAL superbly integrated this type of control scheme into engaging and intelligent level design and aesthetics, and the end result is one of the most interesting, innovative, and fun games to hit the Nintendo DS in quite some time.

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September 25, 2011

How I Learned to Love Hitogata Happa

Filed under: Editorial Rants — Tags: , , , , , — Mister Raroo @ 1:21 pm

Hitogata Happa
Hitogata Happa seems downright impossible. Oh sure, everything starts off straightforward enough, and you might assume it’s a typical top-down 2D shooter. You blast enemies, you collect the goodies they drop, you reach the first boss… and then you die, again and again.

And if you’re like me, you probably give up and go play something else.

Yet, something about Hitogata Happa calls you back. You try again. You die again. You get angry. You get defensive. “This is the first stage! Why the heck is it so difficult?! This game sucks!”

I didn’t understand what I was doing wrong. I skillfully avoided every single bullet the first stage’s boss fired at me, while slowly whittling away at its power. When you start fighting the boss, a timer begins to count down, and when the clock hits zero, the boss suddenly goes bananas and unleashes a ruthless barrage that always resulted in me seeing the Game Over message. And the timer hit zero every single time. Argh!

My world became dark. I had really wanted to love Hitogata Happa so, so much. I was especially upset because I found the game’s world enthralling. Though I’ll admit I skipped the story sequences because I don’t care for such things, the plot’s gist is that the protagonist is extremely pissed off about some wrongdoing (her family was killed or something) and, in order to get her revenge, sends little “dolls” out to decimate her enemies. And, boy, are there a lot of enemies to kill!

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September 21, 2011

Review – Driver: San Francisco

Filed under: Reviews — Tags: , , , , , , , , , , — Brad Johnson @ 8:42 am

Review Driver San Francisco
Before I begin discussing Driver: San Francisco, I feel it’s important to mention that I have an issue with driving games. There’s a conversation that happens between myself and any such game I sit down to play, and it goes like this:

“Use the handbrake for sharp turns, Brad!”

“Okay, driving game—oh, I made the widest possible turn, spun out and crashed into a wall. Thanks.”

As a result of my crippling deficiency, driving isn’t usually a lot of fun for me. The driving games I play are invariably the ones where I can mitigate my incompetence with offense. That is to say, there’s a gap between me and the amount of skill necessary to win a driving game, and I close it by shooting other drivers. Mario Kart, Extreme-G, Blur—these are the games I can contend in (just barely), because I can leverage missiles and mortars and heat-seeking koopa shells against my fellow racers.

Driver: San Francisco doesn’t have any of that—but it does have something even more unusual.

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September 20, 2011

Review – Gears of War 3

Filed under: Reviews — Tags: , , , , , , , — Brad Johnson @ 2:24 pm

Review Star Fox 64 3DS
So, here’s Gears of War 3 in a nutshell: somewhere on the battlefield, a Locust drone fell to his knees, and out I ran—because it wasn’t acceptable that he might just bleed out. I had to get to him, so that I might ram my flamethrower into his chest and burn him from the inside out.

Yeah, that’s a thing you can do.

I think what makes Gears of War special, as a franchise, is its unique aptitude for making me want to do things like that, and, more importantly, for making me need to shoot monsters.

That’s the impetus of any shooter, of course, but the focus here is notably more pure. Every asset is leveraged toward this end. Whether it’s brutish dialogue that can only rightly be answered with a shotgun, the satisfying kick of the rifle, the suffering atmosphere of the world, or a story that demands good old-fashioned revenge, everything in this game compels me to shoot monsters, and fashions that need into the most satisfying experience possible.

It’s the art of the shooter, and Gears of War 3 is a symphony on the subject.

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September 18, 2011

Review – Star Fox 64 3D

Filed under: Reviews — Tags: , , , , , , , , , , — Jamie Love @ 1:49 pm

Review Star Fox 64 3DS
Nintendo and Q-Games have joined their power rings together to bring the definitive version of Star Fox back for the 3DS. It’s a sensible partnership considering that the N64 release owes its existence and primary ideas to the original Star Fox on the Super Nintendo, and the unreleased Star Fox 2 – titles forever linked to Q-Games president Dylan Cuthbert.

This remake is also a beacon of hope for a series that has often appeared to baffle Nintendo, and in many ways was left keeping company with Metroid on the outer rungs of Nintendo’s famous franchise list.

Depending on your feelings toward last year’s release of Metroid: Other M, you may or may not agree that Star Fox has received far less respect over the years, often acting like a square tube Nintendo frustratingly attempted to squeeze through a circular hole – whether calling team Star Fox into service to make Rare’s Dinosaur Planet more marketable with Star Fox Adventures (2002) on the GameCube, or attempting to force the series into a more robust but less focused action game with Star Fox Assault (2005) on that same system.

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September 16, 2011

Review – Renegade Ops

Filed under: Reviews — Tags: , , , , , — Jamie Love @ 8:58 am

Review Renegade Ops
While thumbs are largely celebrated for granting humanity dominance over the planet, those same two stubby digits have also allowed us to sink countless hours into videogames, and are perhaps overdue for a salute on that front considering how such diversions allow us to temporally forget our poor management of that larger inheritance.

Though we were content in ye olde days with games requiring little more than two thumbs for admission, many have gone on to greedily ask players to nearly grow a third hand over the years. Perhaps this is why touchscreen gaming evokes a special kind of Zen, and also why Sega’s latest digital offering strikes an immediate and inviting feeling that leaves me all warm and fuzzy.

Perhaps you’re familiar with the ancient proverb, “Give a man the ability to cause immense destruction, and he shall want for nothing – at least until the ride is over.”

Developer, Avalanche Studios, takes this idea to heart when creating videogames, this time tapping into the imagination at work in the sandbox of my youth, where I once rolled toy tanks into battle while making ridiculous sound effects to simulate the explosions I envisioned.

Though this latest release doesn’t haul out an antiquated franchise from the Sega vault, it definitely stirs nostalgic memories.

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September 15, 2011

Refresh Rate – The Darkness

Filed under: Features — Brad Johnson @ 1:07 pm

Refresh Rate The Darkness
Next year, developer Digital Extremes will revisit The Darkness—after a significant four year gap since the original Starbreeze cult hit. The gap of time was long enough that it was fair to think the sequel might never materialize; after all, though The Darkness was well regarded critically, it did not seem to strike pay dirt with audiences—much like Mirror’s Edge, the future of the franchise seemed doubtful before it ever really got started.

With The Darkness II delayed into February (having been originally slated for an October release) after having mercilessly teased me with brutal gameplay footage, I had to satisfy my need for more Darkness by revisiting the Starbreeze original.

The Darkness was one of the first handful of games I played for this generation of consoles (I was something of a late adopter), and it seems like an obvious game for me to play: as a super-powered shooter based on a comic, it covers most of my bases. I picked the title up based on those very virtues, but truth be told, when the game began, I thought that maybe I had made a mistake.

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