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December 12, 2010

Review – Sonic Colors

Filed under: Reviews — Tags: , , , , , , , — Jamie Love @ 2:06 pm

Sonic Colors Wii
Rose tinted retina make the Sega of my youth an experimental laboratory, a torrid love affair of success and failure, never short on wonder by the means in which releases explored the boundaries of evolving genre templates. I’m entirely uncertain whether such pretty words apply here, whether Sonic Team’s latest attempt to put the hedgehog on track has tapped the original spirit of the endeavor, or if the law of averages has inevitably produced a title better than those released since the demise of the Dreamcast.

It’s ever tempting to suggest that the demise of the hardware was responsible for the continual release of the Sonic missteps we’ve suffered with, but that would be the real red nostalgia talking. From the beginning, Sonic has struggled to run outside the lines that structure the platformer, while awkwardly seeking to incorporate elements of that genre even while fighting to escape it – the shift into three dimensions simply made the conflict more visible, and often frustrating.

During a year when Sega seeks to appease fans with a classic revisit of the series’ roots via Sonic The Hedgehog Episode 4, Sonic Colors continues the quest for a solution to that long running problem. It’s as polarizing as ever, but Sonic Colors hits upon the reason we continue playing through a conflicted franchise, reminding us that when Sonic finds his groove, the experience can reach heights worth all the heartache.

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December 10, 2010

Review – Dead Nation

Filed under: Reviews — Tags: , , , , , , — Brad Johnson @ 8:59 am

Dead Nation
Last week Sony delivered unto us Dead Nation, the latest entry in the increasingly swamped “Kill a crapload of zombies” market. When we talk about the popularity of zombie games (and movies, TV shows, and probably Halloween prosthetics), there’s a joke in there somewhere about a spreading infection, but I’ll save you a groan and not make it.

Dead Nation takes the form of a top-down shoot-‘em-up, as appears to be the pattern for a number of recent small digital releases. You’ll choose a male or female character to fight through the zombie ravaged city in an effort to retrieve the apparently important body of Patient Zero and hopefully formulate a cure. There’s a story to be had here, though the product may have been better off without it. Rarely would I champion the cause for less narrative, but this story is a strange half-measure that seems to exist only to showcase some (admittedly sharp) artwork. Told through brief interludes between missions, it describes the journey of your character through the zombie wasteland in such thin detail that it may as well not bother at all. Your character has lines, but they exist only to tell you what your objective is, not because you’re actually a person with thoughts—and since the objective is always the same (get from point A to point B), this is entirely superfluous.

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December 1, 2010

Review – Disney Epic Mickey

Disney Epic Mickey
The Wasteland is a refuge, a place where forgotten cartoon characters can live on within Junction Point Studios’ heartfelt tribute to the house that Mickey Mouse built. Freed from ownership by Universal Studios, even Oswald the Rabbit can find new purpose in this place, acting as both mascot and ruler for this world, providing shelter for his fellow ‘toons while obsessing over the popularity of Walt’s favorite son.

The sincerity drips from every digital brush stroke, and remarkable seems like a word worth using to describe the amount of attention given to the details. Junction Point has created a living, breathing world for characters few players are likely to readily remember. But the devil in those details is whether this labor of love offers an opportunity and incentive for players to truly immerse themselves in this world, or if this epic undertaking merely offers a lightly pulsing museum, one which assumes that the care of content can counterbalance significant design problems, which Disney Epic Mickey unfortunately offers in spades.

If this quick appraisal leaves you making a sad face beneath your Mouseketeer hat, join the club.

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November 23, 2010

Review – Donkey Kong Country Returns

Filed under: Reviews — Tags: , , , , , , , , — Jamie Love @ 1:56 pm

Donkey Kong Country Returns
Marathon playtime with a casual audience caused one observer to remark that I was more boy than man despite my age, which possibly owed in some small part to the fact that I’d begun banging my chest after surviving a particularly hellish level.

Two straight days in the jungle have created a time machine, the latest cog in Nintendo’s flux capacitor bringing players back to the age of Super Nintendo, taking advantage of an evolved 2D palette and a long absence that brings characters back with a vibrancy I fantasized about while playing the original titles so many years ago.

Perhaps the key is that the visual seduction inspires the same level of awe now as it did then, so that even if everything new is old again, it’s hard to complain about the result.

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November 18, 2010

Review – Castlevania: Lords of Shadow

Filed under: Reviews — Tags: , , , , , , — Brad Johnson @ 8:22 pm

Castlevania: Lords of Shadow
I’m riding on the back of a long-dead dragon, the size of a skyscraper, animated through dark necromancy and thundering through the sky. I’m clawing my way up the massive spine, balancing precariously when it rears its head and tries to shake me loose. I slip, and pull the right trigger just in time to jam my ridiculous crucifix-weapon into the bone and save myself from the fall—and this is about the time when it hits me just how much I like this game.

This is the last of three titanic boss encounters in Castlevania: Lords of Shadow; battles that have seen me scaling massive creatures in elaborate platforming puzzles. Like many elements of this game, this may draw comparisons to the defining hack-and-slasher, God of War, and these aren’t unwarranted. Castlevania, when considered piece by piece, is a wholly derivative affair, but as happens so rarely, it manages to provide a unique and worthy experience all the same.

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Kyatt vs. The Music

Filed under: Features — Tags: , , , , , , , , , — TJ "Kyatt" Cordes @ 8:55 am

Rock Band 3
I’ve been anticipating Rock Band 3 for a while now, and figured that I’d chronicle my experiences with the game in comic form. I couldn’t imagine how they’d mess up something like Rock Band, but I was sure there would be some changes that I should give mention.

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November 10, 2010

Review – Fable III

Filed under: Reviews — Tags: , , , , , , , — Brad Johnson @ 9:02 am


The design imperative represented in most games on the market is simple, and nigh-universal: give the player one thing to do, and develop and fortify this mechanic until it is strong enough to engage the player for the bulk of the experience. The addition of the odd mini-game (driving a tank in Gears of War, for example) serves to break up the action, but the focus of the design is still to provide a mechanic that can be successfully repeated for the entire game without becoming tedious.

Fable III represents the opposite extreme, and an entirely alternative design philosophy. Here is a game that provides a myriad of game options, with the caveat that each is relatively simplistic. The effect is that Fable III feels like a game made up of mini-games; an exploration mini-game, a finance mini-game, a combat mini-game, a social mini-game, and so on. The dilemma lies in whether players will find the sheer number of these mini-games to be sufficiently engaging as to offset the fundamental simplicity of the mechanics.

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