Gamesugar

May 18, 2011

Catching Up with the Thunderer

Thor: God of Thunder
To say that I read comics does not adequately describe the depth of my madness; to achieve that, one must paint a picture of filing cabinets, shelves and boxes spilling over with twenty years of meticulously bagged and boarded comics, piles of this month’s readings strewn across the floor; walls adorned with art, shelves with models, and a stack of individually framed posters from The Dark Knight that haven’t yet found wallspace. There’s a batmobile on the shelf behind me, and I assure you it isn’t my only one.

Suffice to say, I am invested.

Thus, I took the opportunity to play Thor: God of Thunder on both the Xbox 360 and Wii recently, and I will now leverage that terrible qualification to examine whether these titles do justice to Marvel’s Norse thunderer. Surprisingly, the version to come out on top isn’t the one you’d expect.

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May 14, 2011

Review – Section 8: Prejudice

Filed under: Reviews — Tags: , , , , , — Brad Johnson @ 9:00 am

Section 8 Prejudice
Section 8: Prejudice straddles an interesting zone between downloadable budget title and full-fledged retail release. Though it isn’t quite comparable to similar on-disc titles, it provides a comprehensive multiplayer mode and a campaign of near-retail length, providing decidedly more value than the standard downloadable experience.

Prejudice is, however, chiefly a multiplayer product. The competitive mode is where players will spend most of their time and contains the most replay value. The strength of it comes from Section 8’s intriguing core combat mechanic, which may appear deceptively simple, but employs a number of unique features to change the face of the battle.

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May 3, 2011

Review – Portal 2

Filed under: Reviews — Tags: , , , , , , , , , — Brad Johnson @ 8:53 am

Portal 2
I think it’s fair to say that probably every game is made, at least in part, by committee. The results can be fairly obvious; it’s easy to see when some executive has made the decision to pursue a Call of Duty or a Gears of War.

Valve, by contrast, produces perhaps the purest product available on the current market; the games where it’s clear that most decisions have been made in the interest of making the best videogame possible.

Portal 2 exemplifies this condition; it is pure game, straight through, with each facet specifically calibrated to produce what, undoubtedly, becomes an instant classic the moment the disc enters the tray.

The sequel returns the player to the life of Chell, unknown Aperture test subject, as she awakes hundreds of years after the events of the original game, once again trapped in the Aperture facility. If this change of circumstance is somewhat mystifying, then I recommend reviewing the updated ending to Portal (dispensed via Valve-patch), or better yet, reading the online comic bridging the events of the two games.

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April 30, 2011

Review – Outland

Outland
A simulated wind raised the orchestral tension as I ran along the back of a flying serpent, dodging falling explosives while waiting for the chance to strike at the key points that beast ferociously sought to protect. This was around the time it occurred to me that anyone who yearns for developers to be given the time and freedom to create memorable and compelling gaming experiences, will undoubtedly fall in love with Outland, perhaps as severely as I have for the girl I immediately yearned to show that same sequence to.

The play of that boss encounter reminded me of Ico, and there is certainly a much longer list of titles that came to mind throughout the experience – few of which need to be named given the way Outland doesn’t simply patch together a quilt of influences, rather taking inspiration into its own folds to weave a game worthy of the player’s investment.

The lingering importance of citing those influences is that Outland shines with the energy of a game designed by people who don’t just enjoy games on some theoretical level, but enjoy playing games. In fact, Outland will convince you that the team at Housemarque grew up loving the same games you did, assuming you burned candles late into the night playing through the same who’s-hot list of 2D titles old-school gamers look back on today with teary-eyed nostalgia.

The only game that can’t escape mentioning is Treasure’s Ikaruga, the light and dark trickery of which gives Outland the means to teach a few new tricks of its own, giving the mechanics of the shooter strange but stable new legs to walk upon the land with.

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April 29, 2011

Review – Nin2-Jump

Filed under: Reviews — Tags: , , , , , , , — Jamie Love @ 2:17 pm

Nin2 Jump
Between the release of bullethell shooters that keep the name Cave warm in the hearts of the gaming faithful, the niche developer’s latest offering tackles the platforming genre and gives players a chance to perform puppet theater for an audience.

NIN-JA finds himself caught up in a classic quest to save a Princess, his striking red scarf always caught on the fixed wind in a world of painted backdrops and paper characters. Animation is largely reserved for the audience occupying the bottom of the screen, ever anxious and vocal while watching the player navigate Cave’s obstacle course.

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April 14, 2011

Review – Crysis 2

Filed under: Reviews — Tags: , , , , , , , , , , , , — Brad Johnson @ 5:40 pm

Crysis 2It’s not difficult to imagine EA sitting down with Crytek, somewhere in the indeterminate space between Crysis and Crysis 2, fingers tented carefully and asking “Can you make it more like Call of Duty?” I don’t mean “It’s a funny joke to think about,” I mean I believe this happened. I believe it occurred in our discrete reality.

Indeed, I believe EA has this conversation with every developer to offer them product.

It’s easy to peer into the product and see the result of this conversation (which I will now portray as a factual historic event); fibers of Call of Duty have been infused in the deep tissue of Crysis, coloring its fundamental layers, its skeleton.

Amazing, then, that it remains, unquestionably, its own game.

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April 10, 2011

Review – Mass Effect 2: Arrival

Mass Effect 2 Arrival
Last week saw the release of Arrival, the final DLC package for Mass Effect 2, leading into the release of Mass Effect 3 (still intolerably far away, I might add). Arrival sees Commander Shepard infiltrating Batarian space to rescue an Alliance operative with evidence on the imminent Reaper invasion.

As has been the standard for Mass Effect 2 DLC, Arrival attempts to put something of a different spin on the gameplay and add something unique to the package. In this instance, it’s a rudimentary stealth mechanic, where players—if they are careful about choosing their route—can avoid enemy positions and complete the first mission without being detected.

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