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January 11, 2012

Demo Report – Asura’s Wrath

Filed under: Editorial Rants — Tags: , , , , , , , — Jamie Love @ 4:13 pm

Demo Report Asuras Wrath
Swinging the many furious fists of an angry stone God can now be sampled on both the Xbox 360 and PlayStation 3, courtesy of a demo for CyberConnect 2’s upcoming Asura’s Wrath, which appears to pioneer the genre of Anime-Action-Space-God-Epic.

If you don’t find some mix of humor and awe in that bold new label, stepping into Asura’s heavy shoes may require checking a certain amount of reason at the door – this demo provides access to two separate chapters that are both heavy on chaos and light on narrative explanation. And as much as I favor firm narrative ground, there’s an abstract sense of sense to appreciate all the same here in addition to the ludicrous lengths the game goes to in order to tickle your “hey ain’t that cool” bone.

Both sample chapters also present breaks with title cards, as if I were actually watching an anime series on television – color me intrigued as to how that might play out further in the presentation.

As for the mix of gameplay offered – and it is mixed – there’s a definite sense of two streams converging into one enthusiastic hyper-thread attempting to build on existing real estate. That’s my way of suggesting that whilst playing, one certainly feels the Platinum Games’ philosophy of ever increasing moments of insanely impossible but irrefutably amazing feats, such as flinging a God into space only to have him return larger than the planet you just tossed his ass off of, or being stabbed by an extending sword that pushes you off one planet and into space only to then push you through the core of an entirely new planet. These things happen in Asura’s Wrath, presenting a new benchmark for ridiculous over-the-top action that I want to lamely label anime-approved-cool or some such nonsense.

But there’s also a bit of Ninja Blade’s determination to make something more useful of those pesky quick-time button prompts, which Asura’s Wrath also has plenty of – many of them attempting to draw a connection between cinematic styled sequences and your existence as a player versus a spectator, adding some ground by having you push the analog sticks to make Asura literally stand his ground during an attack for instance. There are also moments where you attempt to press buttons at the right time, mash buttons, and curse while rotating an analog stick in a fashion that seems to fly in the face of how normal humanoids hold controllers.

There are times when the experience is more traditional, dodging bullets from an overhead ship and getting in front of missiles for a chance to throw them back comes to mind. Boss encounters also present familiar patterns for dodging, with a bit of button mashing attached at the confrontation mark. But the rhythm is constantly shifting here, always looking for the next new plateau to separate the current action from a previous one.

The much shorter appraisal is that Asura is a God who spends a great deal of time being pummeled by other Gods until reaching his Hulk factor and filling the screen with explosive rage. How could you not want to break from listening to me and go check that out for yourself?

Oh hey and if you do, be sure to swing back around and let me know what you think.

November 9, 2011

Review – BurgerTime: World Tour

Review BurgerTime World Tour
BurgerTime: World Tour is a re-imagining of the arcade classic BurgerTime. Both games feature a chef named Peter Pepper, who must climb a series of Donkey Kong-style girders in order to assemble giant hamburgers – by walking on their vertically aligned ingredients in order to push them downward, all while avoiding an army of living man-sized food.

In almost every other regard, however, these are two radically different games.

BurgerTime is a lot like Resident Evil, in that both are games of survival and conservation of ammo in the face of hordes of the reanimated dead, the difference being that the deceased in BurgerTime were first pickled, or ground into sausages.

Hold on, I’m going somewhere with this…

With that comparison in mind, BurgerTime: World Tour is the Resident Evil 4 of the series, in which the protagonist is instead constantly armed to the teeth and stumbling upon more firepower than he can use. Once again, it is a controversial move, but for BurgerTime, the change isn’t as successful.

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November 3, 2011

Review – The War of the Worlds

Filed under: Reviews — Tags: , , , — TJ "Kyatt" Cordes @ 12:26 am

Review War of the Worlds
About a decade ago, when I first played the Dreamcast classic, Seaman, I was greeted by the voice of Leonard Nimoy. At this point, I was under the assumption that any game could be made great by adding narration from a Star Trek character.

Then I played The War of the Worlds on XBLA.

I think the difference is that, while Nimoy’s role was buried under the fact that the game was about a fish-man that you talked to with a microphone peripheral, The War of the Worlds wears the fact that Sir Patrick Stewart narrates it like a badge of honor – a shiny badge on an over-starched and uncomfortable jacket.

The War of the Worlds is about a British man named Arthur, who resists an alien force that wishes to dominate and destroy the Earth. I think his last name is Dent, but I could be wrong.

Wait, it’s Clarke – Arthur Clarke – a man who must flee from genocidal Martian technology, destroy it, find his family, and do it all while narrating his journey with the gravitas of Captain Picard. In his role as narrator, Sir Patrick Stewart doesn’t disappoint with his vivid yet bleak descriptions of the incoming Martian invasion, maintaining a tone of awe-stricken despair throughout. Trust me, if the gameplay were half as good as the voice acting, this would be a real gem of a title.

Unfortunately… well, I have a few paragraphs about the graphics before I can start tearing this thing down.

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October 11, 2011

Review – Space Channel 5 Part 2

Filed under: Reviews — Tags: , , , , , , , , — TJ "Kyatt" Cordes @ 1:55 pm

Space Channel 5 Part 2
A long time ago, before Tetsuya Mizuguchi created a bunch of synthesthetic puzzle games, he worked for Sega, where he created Space Channel 5. The crazy retro-futuristic style made it one of the most iconic titles for the now-defunct Dreamcast. Last year, when Sega announced that it was going to re-release a series of the Dreamcast’s most popular games in HD for XBLA and PSN, it was only logical that they would include Space Channel 5…

…Part 2, the sequel which was only available for the Dreamcast in Japan. Well, I guess it technically counts, even though a lot of the world knows it better as a budget PS2 release. I suppose the fact that all the backgrounds in the first game were pre-rendered in 480i disqualifies it from being released in HD. Space Channel 5 Part 2 is also a far better game than the original, but it’s still a bizarre choice for a collection that seemed like it was made to bank on Dreamcast nostalgia.

But alas, this is not a review of Sega’s handling of what could have been a great series of downloadable titles – this is a review of a classic rhythm game. Unlike the current wave of peripheral-based rhythm games, in which the goal is to make a small band into a very popular band, older titles of the genre always had a story to tell – though it was usually a completely messed up story.

The story of Space Channel 5 Part 2 features a futuristic news reporter who follows reports of bad guys who take innocent people hostage and force them to dance – which requires out-dancing the bad guys to save the hostages, who then show their appreciation by dancing in line behind her as she continues reporting; this is how you earn TV ratings in space. The game’s heroine, Ulala, does play a guitar and the drums as well, but only to demoralize rival reporters and to fend off the space police (yes, in the future, if you beat the police in a drum battle, they have to let you go – it’s the space law).

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September 11, 2011

Review – BloodRayne: Betrayal

Review BloodRayne Betrayal
I am fail.

While that conclusion will come as no surprise to some, the suspicion was finally confirmed for me after clearing the first of Betrayal’s stages, wherein I was awarded an “F” grade, and the designation of “wormfood”. That the same reward awaited me at the end of every stage would seemingly suggest that WayForward’s resurrection of Majesco’s dhampir vixen is a difficult affair. And while plenty of voices across the Internet support this argument, it’s simply not accurate.

The near infinite supply of health, unlimited lives, consistently well placed checkpoints, wide-sweeping attacks, and even a laser cannon that spreads across the entire screen, make it ridiculous to suggest that Rayne’s 2D debut reaches anywhere close to the difficulty of nostalgic side-scrolling titles that kept gamers grinding their teeth and stores selling a steady supply of replacement controllers back in the day.

Betrayal does liberally sprinkle stages with cheap trickery however, situations that depend as much on luck as a mastery of the controls – split evenly between platforming sections that unleash floating projectiles while requiring precision jumping, and arena areas where waves of enemies work to drain the blood with the advantage of restricted space.

The real difficulty of Betrayal is in reconciling the shortfalls that leave a promising release far less the experience it could have been, delivering a digital title where every element that makes it excel also directly causes it to disappoint – where the high point of Betrayal causes direct gameplay hiccups that undermine the effort and expose the under-developed nature of the entire game.

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July 5, 2011

Review – Half-Minute Hero: Super Mega Neo Climax

Review Half-Minute Hero Super Mega Neo Climax
“Are other RPGs going to seem too slow after playing this?”

My wife posed this question as she watched me play (deep breath) Half-Minute Hero: Super Mega Neo Climax (okay, just typing that takes half a minute, so we’ll shorten it to HMH). Also, her question was definitely valid.

At first glance HMH seems like a typical Japanese RPG. It successfully incorporates all the genre’s staples – namely it takes place in a colorful fantasy world, there’s an impending apocalypse, you play as a humble hero entrusted with saving the world, you level up via random battles, you visit towns and villages to purchase items and upgrades, you can embark on optional side-quests, and more –only it speeds them up to the point that sometimes you’ll feel like you’re watching a time-lapse video of someone playing Dragon Quest.

In other words, it’s like playing an RPG on speed. Well, okay, I don’t use drugs, but I imagine the pace of HMH is akin to seeing the world through the eyes of some junkie on a street corner who pictures himself to be a Native American hunting buffalo as he throws Styrofoam cups at passing cars. It’s no wonder the lovely Missus Raroo worried that other RPGs would be tough to play after HMH.

Just for kicks, I powered up my Nintendo DS to see if Dragon Quest VI would feel sluggish. Thankfully, it didn’t take too long to transition from the lightning speed pace of HMH to the more humble tempo of Dragon Quest, though I will admit that I kept thinking “Hurry up! Don’t waste time! Just run forward into those monsters and move on to the next battle!”

You’d think that this would suggest RPGs have indeed been ruined for me, but by the power of foreshadowing I’ll just say that HMH may not be what it initially appears to be…

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June 10, 2011

Review – Call of Duty: Black Ops Escalation

Call of Duty Black Ops Escalation
Last week saw the release of Escalation, the second Call of Duty: Black Ops content pack, on the PC. Escalation includes four new multiplayer maps (Hotel, Zoo, Stockpile and Convoy), alongside a new zombie survival mission.

What’s most immediately noticeable is that the new multiplayer maps, thankfully, offer a range of new visual styles—especially refreshing after all the browns and greys of Black Ops proper.

Zoo and Hotel are both distinctly colorful, offbeat maps that serve as decidedly unusual combat grounds. Meanwhile, Convoy takes place on a broken roadway that feels distinctly urban and familiar, while Stockpile features a farming village that’s actually a lot less humble than it seems.

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