Gamesugar

November 30, 2010

Review – Auditorium HD

Filed under: Reviews — Tags: , , , , , — Brad Johnson @ 8:55 am


Having grown out of a flash game, Auditorium has perhaps hit the big time with this high-definition console release, and it’s not difficult to see why. A curious puzzling experience that’s as interesting to listen to and look at as it is to play, Auditorium HD brings an entirely unique sensory experience to players.

The objective is simple: move the colored light into the appropriately colored receptacle. The path (and later, color) of the light can be changed through the use of a number of spherical pieces afforded to the player in each stage. By changing the position and size of these spheres, the light can be directed to fill the appropriate receptacles, completing the stage and unlocking further stages. Auditorium supports the PlayStation Move controller, but I reviewed with the standard controller.

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November 22, 2010

Your PlayStation Network Sale

Filed under: News Feed — Tags: , , , , , , — Jamie Love @ 12:52 pm

Sony Sale
Beginning tomorrow Sony is knocking down prices on 2010 digital games for PSP, PS3, and their Minis lineup by 50%, news that warrants plenty of your attention if you haven’t caught up with releases like Joe Danger or Metal Gear Solid Peace Walker – also known as one of my favorite PSP games to date.

The sale runs from November 23 until November 29, and you can catch the full list of deals after the break.

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November 8, 2010

Q&A – Konami Talks No More Heroes: Heroes’ Paradise

No More Heroes: Heroes Paradise
No More Heroes led a series of unique and alternative experiences offered by the Wii when it released in 2008. The story of Travis Touchdown’s quest to survive the streets of Santa Destroy in order to rise to the top of the United Assassins Association, if only to get the girl, represented a wave of punk sensibility rarely seen in the industry and also exclusive to Nintendo’s console.

Marvelous Entertainment broadened the chance for PlayStation 3 and Xbox 360 owners to share in the bloodletting with the Japanese release of Heroes’ Paradise this year, and many of us have patiently waited to learn which publisher might plan to bring that HD love our way.

Recently it was revealed that Konami would answer the call, announcing a Move supported PlayStation 3 version. Not unlike starving dogs, we hungered for more details.

Luckily for us, both Marvelous and Konami production team’s Tak Fuji have merged forces not only to bring Heroes’ Paradise to North America, but also to answer our most pressing questions – as well as leaving us all with one I know many of you will offer answers to.

Get your Heroes’ Paradise fix after the break.

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November 4, 2010

Return of the Review – Vanquish

Filed under: Reviews — Tags: , , , , , , , , , — Brad Johnson @ 5:15 pm

Vanquish
In my capacity as a Sugarperson, I really only serve two functions: sometimes I manufacture prettiness in an effort to make it appear that the site was not, in fact, designed in my basement, and other times I play games, and then I tell you about them. This is one of those times. As tasks go, it is not the worst one could hope for. In fact, the only way it could be better is if it caused the numbers on my bank account to increase, or perhaps if writing overly long sentences made me irresistible to nerd girls.

Vanquish is a game that, upon playing, I was compelled to fulfill this second duty; to write words and deliver them to you, so that you might understand their meaning. Accordingly, in addition to our regular review of Vanquish, I am here to provide a rare second opinion. Let’s begin: if anyone tells you that Vanquish is not worth playing, your duty is clear. Cut this person out of your life forever, as this person is a liar who wishes only misfortune upon you. If, after taking this action, you still doubt the value of Vanquish, I suggest the following: visit youtube, and search for “Casshern.” When you come to the inevitable realization that “There should be a videogame of this,” return here, and I will present to you, Vanquish.

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October 29, 2010

Review – Dead Rising 2

Filed under: Reviews — Tags: , , , , , , , , , — Brad Johnson @ 9:06 am


In playing open-world games, perhaps the quintessential dilemma is to what extent it is necessary for a game to push players to explore what it offers, and at what cost to player freedom–where at one end of the spectrum the player becomes bored and complacent, and at the other, the game is no longer open at all. I have found it can be far too easy to become mired in endless side-quests and irrelevant mini-games, thus losing a sense of progression and purpose, and while it’s certainly true that the player is ultimately responsible for utilizing the game assets, it is also fair to say that the game is responsible for presenting these assets in an engaging way.

Dead Rising 2’s solution to the problem is to grant the player freedom, but with consequences—the same as you find in the good, old fashioned real world. This is achieved chiefly through demanding that the player manage his or her time. Unlike, for example, Red Dead Redemption, where you could conceivably hunt bounties for a month before choosing to start the next plot event, Dead Rising 2 is characterized by a ticking clock, and story events that occur at specific times on that clock—whether the player is ready or not.

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October 25, 2010

Review – Quantum Theory

Filed under: Reviews — Tags: , , , , , , , , — Jamie Love @ 2:29 pm

Quantum Theory
Quantum Theory isn’t the worst game I’ve ever played.

If that line doesn’t sound like a ringing endorsement toward the positive however, that’s probably because it’s not.

There’s an early sequence during the player’s rampage through an ominous tower filled with evolutionary chaos, where a cinematic break is required to introduce the largest example of greyish-blobbish indistinguishable enemy yet encountered. The creature materializes from a swirling cloud and kills several smaller enemies before kicking the player back into the game to suddenly deal with this escalation of battle, only to find 4-5 quick shots that would dispatch any normal enemy also enough to stop this beast dead in its tracks as well.

Much ado about nothing seemed to sum up the experience. Yet somewhere in that moment I found words to summarize my time with the game, the distinct feeling that the development team begrudgingly finished this title for release with the collective battlecry “MEH” heard ringing around the office.

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October 20, 2010

Review – Vanquish

Vanquish
The squad of marines pushed forward as enemy grunts shimmered Soviet-era red from cover points along the hillside. At the peak, a giant robotic crab tossed wreckage indiscriminately, forcing me to rush between cover while pumping bullets into robotic soldiers never shy about disregarding their own safety to invade my personal space.

Quick melee attacks cut them in half easily enough – the trick is in making sure to finish the job, least their broken carcasses scurry along the ground hoping to detonate as close as possible.

About halfway up the hillside, a tower collapsed and spread more debris and smoke over the battlefield while a horde of enemy reinforcements broke through an opening to thwart my advance.

All that cover may make it seem worth stopping for a smoke break until the dust settles, and Sam Gideon is always willing to steal a few puffs whenever the moment presents itself, but sitting to wait the war out from a safe vantage point is rarely an option. Momentum encourages players to keep moving with a beat that begins the moment Sam crashes aboard the orbital space colony at the center of a fresh Russia vs. America conflict, and Vanquish uses every last enemy capable of carrying a weapon to keep your ass moving.

The achievement for surviving the first stage of the invasion is dubbed “Space Normandy” for good reason. Platinum Games has married the gritty realism of battle typically assigned to games based on the Second World War with the anime lasers and sheen of influences like Neo-Human Casshern to create a third-person Sci-Fi D-Day.

Along the way it becomes clear that the rumored irrelevance of Japanese videogame design continues to be greatly exaggerated, with Vanquish offering a level of exquisite mathematics that make trigger fingers tingle with a workout unmatched by heavier North American releases.

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