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December 6, 2012

Demo Report – Ni No Kuni: Wrath of the White Witch

Demo Report Ni No Kuni Wrath of the White Witch
Namco-Bandai’s bite-sized taste of the overdue RPG joint between Level-5 and Studio Ghibli comes up rather short given the size of the PS3 download. The demo offers two small assignments, racing to the top of a volcano to tackle a lava beast, and fighting a forest guardian in order to help a wise old tree and gain access to the Kingdom of the Cat King.

It’s a little depressing that the demo ends before giving us a glimpse of the fat old Cat King, but you can’t win them all I suppose. It’s a shame the demo doesn’t share some more of the animation I spied via the E3 demo earlier this year as well, because it was rather fantastic.

Despite the lack of a hand holding tutorial, combat comes across rather easy, with players able to swap between using Oliver to cast magic or controlling his tiny critter familiars to issue more standard attacks against enemies.

The demo’s emphasis is on teaching players to switch between offense and defense when larger enemies are powering up for more devastating attacks, and moving around said foes to discover critical weak points – for the lava beast this is the tail, while the forest guardian seems to have weak knees.

The rather simple combat could leave this feeling a bit like baby’s first JRPG, but it’s several shades refreshing to my fingers – I’ve been long for an RPG that was this easy to fall into in an age where one of my favorite childhood genres has a habit of putting me to sleep with increasingly complex designs and endless explanations.

Since the PS3 owners in the room can check the demo out for themselves, I’d encourage you to do that rather than listen to me ramble on, assuming you haven’t already.

Two things in particular worth basking in while visiting the other world are the world map itself, which reminds me a bit of the romantic aerial views of the landscape offered in Ghibli’s film Porco Rosso, and the character designs of smaller enemies encountered – these designs are rather simple, and capture something Pokémon-like while still resembling the primary bestiary known to Ghibli fans. My instant favorite is the colorful Ouroboros, which you can find on the road to Ding Dong Dell.

The other point of interest is for your ears. Joe Hisaishi’s fingerprints instantly bring back memories of the feature films, and discovering how the theme for the game expands is as high on my list as unraveling the story of Oliver’s quest to bring his mother back from the dead.

Ni No Kuni: Wrath of the White Witch hits the PlayStation 3 exclusively on January 22nd, 2013 in North America and Europe on January 25th.

If you need more of a Level-5 fix, Namco-Bandai has also served up a behind the scenes tour of the developer, which you can catch below.

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December 3, 2012

Review – Far Cry 3

Filed under: Reviews — Tags: , , , , , , — Brad Johnson @ 8:17 am

Review Far Cry 3
In Far Cry 3, players will assume the role of Jason Brody, a kidnapped American who, after a narrow escape from his captors, must find and reclaim his captive friends from the pirates of Rook Island. 

The first thing the game does is to abruptly kill off the character that, in any other game, would have been the protagonist. Instead of the Elite Assault Bro, I would instead be playing an average young man—and not “average” the way Nathan Drake is “average.”

In those early missions, Jason Brody is upset when he has to kill a man, frightened when he’s about to be killed himself—he does what most videogame protagonists never consider, which is react to the unbelievable shit he’s forced to do.

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November 25, 2012

Review – PlayStation All-Stars Battle Royale

Review PlayStation All Stars Battle Royale
When PlayStation All-Stars Battle Royale was announced it immediately drew comparisons to another popular game series, and it’s not hard to see why. All-Stars practically begs to be measured against Nintendo’s Smash Bros. franchise.

Normally I would try to avoid a point-for-point comparison of two titles, but All-Stars pulls so much from the Smash Bros. games—without even a hint of subtlety—that I think it’s only fair to compare the two, mercilessly. You can expect to find many such comparisons ahead.

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November 13, 2012

Review – Call of Duty: Black Ops II

Filed under: Reviews — Tags: , , , , , , , , , , — Jamie Love @ 9:39 pm

Review Call of Duty Black Ops II 2
It’s fair to say that gaming has taught us some rather strange lessons. Eating mushrooms allows us to grow, powerful critters can be caught and stored in balls, rubbing two differently colored plants together creates medicine on the fly – the list goes on and on to spiral around a few city blocks.

And considering all the ridiculous activities videogames enable, I have to find something better to say about Black Ops II, rather than simply stating that it has a ridiculous plot at the heart of its campaign – that would just be a silly and wasteful thing to say.

It would probably be fairer to say that the story of Black Ops II simply builds on the well-worn foundation of the franchise, which may feel plenty worn depending on how many of the numerous releases in the series you’ve soldiered through.

And yet to simply suggest this would be selling the game short.

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November 8, 2012

Review – Zone of the Enders: HD Collection

Review Zone of the Enders HD Collection
Animation studio Sunrise lends some love to see this HD revisit for Zone of the Enders open with a fresh and lengthy montage for the robotic space opera. Stirring early anime memories is a sweet touch here, since Zone of the Enders aimed to create a videogame channeling that spirit when it first released for the PlayStation 2 back in 2001.

The added attention is also a promising touch, considering Konami hasn’t been entirely on the ball when it comes to HD revisits, contributing to an environment that leaves me hesitant to review any of them without the time and means to stress test and analyze the effort frame by frame.

But if the Silent Hill HD Collection left a bad taste in your mouth – and it’s hard to imagine that it didn’t – there’s relief to be had in the revelation that Zone of the Enders hasn’t aged all that badly considering that videogames age approximately ten times faster than most domesticated dogs, which perhaps aided the effort here.

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November 6, 2012

Review – Assassin’s Creed III

Assassins Creed III
After five entries I imagine it’s easy to overlook the level of craft in the Assassin’s Creed series. Meticulously rendered locations and historical accuracy is par for the course at this point, but thankfully Assassin’s Creed III brings these elements back to the forefront by leveraging the most interesting setting, backstory, and secondary characters in the entire series.

The American Revolution is explored with a balanced perspective, and historical information is poured on in such a way that even the most oblivious player will be compelled to think critically about the stage and the motivations of the actors.

This is not Assassin’s Creed: SUPER PATRIOT EDITION. Bad people and bad choices are everywhere; compromise is ubiquitous. The game begs you to look deeper into the conflict, and it works. That most players will have a stronger working knowledge of the history here than in previous entries is a massive boon to the story being told; it’s easier to grasp opposing viewpoints when the nature of the disagreement is easily understood, allowing the game to more deftly elaborate on the moral struggles the series has always tried to illuminate.

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October 30, 2012

Review – The Unfinished Swan

Filed under: Reviews — Tags: , , , , , , — Jamie Love @ 4:08 pm

Review The Unfinished Swan
A storybook framework introduces players to Monroe, a young boy left alone, with only a single unfinished painting to remember his mother by – the unfinished swan that serves both as the game’s title, and as the breadcrumbs soon leading players through the looking glass, or canvas in this case, as the swan wanders off into the unseen space of the painting one fateful night.

As emotional charged as the premise sounds, explaining the digital offering is a challenge – another one of those Move titles you’d be better served by picking up and experiencing firsthand rather than reading my scribbles on the subject.

Though I’m obviously going to scribble about it anyway.

The game offers no tutorials or guidance to start the exploration either, which is confusing for all of two seconds as players find themselves holding the Move controller and staring into a blank white space.

At least, it should only take a second or two before you press the button that causes Monroe to use his brush, tossing a gob of paint into the void to find it quickly splatter against the environment that secretly surrounds you.

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