Gamesugar

August 11, 2011

Review – Red Faction: Armageddon

Filed under: Reviews — Tags: , , , , , , , , , , , — Brad Johnson @ 12:17 am

Red Faction Armageddon
Red Faction: Armageddon—the latest in Volition’s series of destruction-centric shooters—picks up with Darius Mason, descendant of the previous entry’s protagonist, and the colonists of Mars trapped underneath the surface following the destruction of the planet’s terraformer.

To make matters worse, Darius has accidentally unleashed a horde of alien monsters that seek to… well, it’s not really clear what the aliens want. They do appear intelligent (intelligent enough to destroy machinery Darius is trying to use against them), but they possess no character or story to speak of, instead assuming the role of predictably mute monsters to turn into paste.

The story is soft and more than a little dumb at times, with a cast of bland characters that, though voice acted quite capably, don’t have a scrap of personality between them. One could argue that it’s refreshing not to be fighting yet another revolution in a Red Faction game, but I felt the title lost some of its identity by choosing to go the fairly standard alien invasion route.

Of course, the real cause for concern is the switch to the closed, scaled-down environments—moving away from what made Red Faction: Guerrilla such a success. With its new setting, Armageddon eschews the wide open expanses of Guerrilla for a series of tunnels and chambers. Darius will occasionally visit the surface, but always in closed environments.

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July 29, 2011

Ascending the Metatron (Or Something) in El Shaddai

El Shaddai: Ascension of the Metatron
The demo for El Shaddai: Ascension of the Metatron has been available on Xbox LIVE for a while now, though you may have overlooked its strange offering, as I initially did. In my capacity as an official Sugar Human, I recommend you reconsider.

The demo takes place in what might best be described as a bizarre drug induced hallucination; a world made of shadow and glass, laced together like a spider’s web. At one point, the perspective shifts to that of a side-scroller, where I leapt across rolling waves of clouds and flying rocks as the sun rose and fell, replaced by some ominous face in the background, again and again.

The demo is strange and dreamlike; sheathed in angelic armor that breaks away to reveal what appears to be some kind of surfer bro in jeans, the protagonist platforms through areas that seem only tangentially related, finding demons to fight in glassy arenas made of light and dark.

I challenged a boss, only to suddenly find myself somewhere else, platforming again, as in those strange dreams where you walk through a door to find the nature of the dream has completely changed.

It’s going to be a pretty thin summer for games this year, so it may be worth your time to check out this bizarre action entry; I played for half an hour, and though I’m not entirely sure what it is that I played, I can tell you that it was awesome. El Shaddai will arrive in North America on August 16 for the PS3 and Xbox 360.

July 19, 2011

Review – Call of Juarez: The Cartel

Filed under: Reviews — Tags: , , , , , , , , , — Brad Johnson @ 9:00 am

Call of Juarez The Cartel
Out today is Ubisoft’s latest entry in the Call of Juarez series, The Cartel. Following an inter-agency task force designed to bring down a rising drug cartel responsible for a recent terrorist attack (that’s right; it’s street crime plus terrorism), the game offers three playable characters; a DEA agent, FBI agent, and LAPD officer—all of whom are preposterously corrupt and ultimately grossly incompetent.

As the story progresses, the three (supposed) law enforcement agents concoct a series of deeply stupid and massively illegal (never mind immoral) strategies for bringing down the Cartel (and achieving a handful of additional goals), most of which fail miserably—which is not surprising, on account of their flawed and nonsensical nature.

Meanwhile, a complex story of cops and gangsters with multiple agendas and conflicting (and frequently changing) agendas is weaved. Now, for clarity: this is not a story that is complex in the engaging, labyrinthine way, but rather the messy and highly confusing way. It’s never entirely clear who’s doing what, and for what reason; the only absolute is that everybody is doing something you don’t know about, and it’s going to bite you in the ass.

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June 30, 2011

Review – Transformers: Dark of the Moon

Transformers Dark of the Moon
After last year’s solid War for Cybertron (my review for which you can read here), I dared to hope that High Moon Studios might once again bring their talent to bear with Dark of the Moon, and perhaps defy the movie tie-in curse.

Of course, it was almost inevitable that the shorter development cycle would hurt the product, and so it has. In many ways, Dark of the Moon is the same game that War for Cybertron was; all the same core pieces are there, but unfortunately the execution is not to that game’s standard, and a handful of missing or altered features make Dark of the Moon a wholly diminished product.

Dark of the Moon serves as a prequel to Michael Bay’s film of the same name (though a largely unnecessary one); throughout the campaign the player will take on the roles of seven distinct transformers, Autobot and Decepticon alike, across seven missions in a roughly five hour campaign.

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June 10, 2011

Review – Call of Duty: Black Ops Escalation

Call of Duty Black Ops Escalation
Last week saw the release of Escalation, the second Call of Duty: Black Ops content pack, on the PC. Escalation includes four new multiplayer maps (Hotel, Zoo, Stockpile and Convoy), alongside a new zombie survival mission.

What’s most immediately noticeable is that the new multiplayer maps, thankfully, offer a range of new visual styles—especially refreshing after all the browns and greys of Black Ops proper.

Zoo and Hotel are both distinctly colorful, offbeat maps that serve as decidedly unusual combat grounds. Meanwhile, Convoy takes place on a broken roadway that feels distinctly urban and familiar, while Stockpile features a farming village that’s actually a lot less humble than it seems.

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May 25, 2011

Review – Might & Magic: Clash of Heroes HD

Might and Magic Clash of Heroes
Though the Great Fall of the PSN has much delayed us, that service’s howling, furious resurrection has finally allowed Team Sugar to report on the matter of Might and Magic: Clash of Heroes, the HD upgrade of 2009’s DS original.

Clash of Heroes exists in some infinite limbo between puzzle game and turn-based strategy. The goal of each battle is to deplete the enemy’s health by firing attacks into his endzone—which is carefully protected by his army of units. Units can be organized to form attack formations or defensive wall formations. Additionally, specialized hero units can be purchased and employed for devastating attacks.

The primary task here is to maximize the number of actions that can be performed in one turn. The player has a limited number of moves, and while certain actions may grant additional moves, one must be mindful of the most efficient, useful maneuvers on the field. Combat, accordingly, is as much a puzzle as a strategy game.

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May 18, 2011

Catching Up with the Thunderer

Thor: God of Thunder
To say that I read comics does not adequately describe the depth of my madness; to achieve that, one must paint a picture of filing cabinets, shelves and boxes spilling over with twenty years of meticulously bagged and boarded comics, piles of this month’s readings strewn across the floor; walls adorned with art, shelves with models, and a stack of individually framed posters from The Dark Knight that haven’t yet found wallspace. There’s a batmobile on the shelf behind me, and I assure you it isn’t my only one.

Suffice to say, I am invested.

Thus, I took the opportunity to play Thor: God of Thunder on both the Xbox 360 and Wii recently, and I will now leverage that terrible qualification to examine whether these titles do justice to Marvel’s Norse thunderer. Surprisingly, the version to come out on top isn’t the one you’d expect.

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