A monstrous baby and grotesque sexual mutations of the female form cast ominous and destructive shadows over the nightmares of Vincent Brooks, who finds himself dragged into a dark dream world each night – a nightmare realm where men seem to be punished for the crime of living wasted lives. Aside from the philosophical attachment, the weight of this crime is the way in which Vincent’s indecision and resistance to adulthood cause others to suffer, specifically his long-term girlfriend, Katherine.
Having followed the development of Atlus’ original HD title for some time, I’d anticipated finding plenty to discuss in these manifestations of male fears, seemingly stepping out of the mind of David Cronenberg and so dramatically intent on literally crushing Vincent beneath the weight of their significance – and in that regard I was certainly not disappointed or left wanting for words.
And yet, the truly frightening part of watching Vincent’s fears of a relationship with girlfriend Katherine, and the way that fear feeds a sudden affair when the mysterious and seductive Catherine appears, hits a note so personal, that the academic leanings must give way. The most terrifying element of Catherine is the similarities I’ve drawn between Vincent and myself.