Gamesugar

February 23, 2010

It’s The Little Things…

Filed under: Archives — Tags: , , , , , , , — Jamie Love @ 12:28 pm

Ghost in the Shell
Moving boxes around yesterday turned up more than a few PS1 games I hadn’t seen in awhile – my life is mostly comprised of boxes in case you’re curious, and every so often I turn them over instead of writing semi-cohesive paragraphs about how important videogames are. Along the way I found the original Ghost in the Shell, which often gets labeled as a mediocre licensed title by people who haven’t played it.

In actuality the game is several shades of meeting and beating expectations, tossing players into a nimble tank, your trusty Fuchikoma, and offering up animation work from Production I.G – essentially making the game a precursor to all the work done on the Stand Alone Complex series.

The game was made by Exact in Japan, an internal Sony Japan studio that became Sugar & Rockets (the studio that inspired this site’s name) for awhile before apparently vanishing – but I’ve pieced that last bit together mostly from sugar packets given the fleeting and scarce nature of information regarding internal Sony Japan.

Anyway, what’s particularly special about this copy I turned up is that it’s an import from Japan. Not surprisingly, I’m a bit obsessive about collecting import copies of games whenever possible, but PS1 titles are one of the sweetest in my opinion. So long story short, I’ve tossed together some pictures of what certainly isn’t the rarest, but does qualify as one of the most impressively packaged games I own, which you can catch after the break if you’re into that sort of thing.

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February 21, 2010

Lazy Sunday – Production I.G To The Rescue

Halo Legends
Last night I took time out to watch Halo Legends, because despite my dickish reputation I am, in earnest, a fountain of eternal optimism. Thematically and structurally Legends is chasing after The Animatrix, no surprises there, and while it misses that mark it is also littered with sequences and ideas that make the work hard to dismiss entirely.

Rather than a focused and stylish effort, Legends is more like a sloppy bomb that leaves just enough shrapnel embedded in the subculture it wants to wrap itself in to find extended life, not unlike the Skeksis. Repeated viewings turn up interesting pieces, but it’s clear from the first run through that Production I.G is in many ways without peers, with The Duel easily standing out from the pack both for its visual challenge and narrative focus.

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