Though very nearly missing the boat on the latest release from Q-Games, I’ve finally stolen time with the title in recent days, which has proved a curious and intimidating affair.
Setting aside the presence of a very helpful tutorial for a moment, there’s a point at which the player begins their first performance, where music tracks begin to play and the trippy visualizer takes over the television screen, and the terrifying realization that one must find a way to create can feel a bit paralyzing and confusing.
Not unlike a frightened animal, I began flailing my limbs, which armed with a PlayStation Move controller exposed the interactive potential to manipulate the audio. Initially, the experience is similar to prehistoric man striking at objects with a leftover dinner bone to find a marvelous world of sounds all around. As a modern man, armed with said Move controller, I was no less perplexed and fascinated by the possibilities – the great discovery of the potential to create coupled with the terrible burden of making some sense of the opportunity, emerging from the cave with fresh experience for the trouble.
While I’m fashionably late to the party, PixelJunk 4am has picked up a bit of a reputation for being a terribly difficult game to review – fair enough given that there is no scoring system or end goal in the traditional sense. But the actual playing of 4am isn’t nearly so hard to nail down, so maybe that’s a good place to start.
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