Gamesugar

June 23, 2012

Extra Credit – Cutting to the Heart of Lollipop Chainsaw

Pop Lollipop (by Shaun Hatton)
I tend to love and gravitate toward games that are divisive amongst the gaming community rather than those that garner more universal critical acclaim, and the most recent example of this is Suda51’s latest masterpiece, Lollipop Chainsaw, earning plenty of my love while also cutting some sharply divided opinions from the community.

But any art that sparks such differing viewpoints will forever be more interesting than art that everyone can agree upon, and thus has the potential to live longer through discussion and debate. When it comes to art that exists in part as a reflection of a variety of past works, enjoyment can come not only from the piece itself, but also from appreciating its references and inspirations.

Grasshopper Manufacture, Kadokawa Games, and Warner Bros. Interactive Entertainment have pooled their creative efforts to bring the world one of the most thoroughly enjoyable pieces of entertainment I’ve experienced this year and, if talking exclusively about games, even this console generation. But appreciation of a game in a vacuum is one thing – appreciation of a game in context of existing pop culture is something completely different, and quite frankly, is where this game shines.

(more…)

November 10, 2010

It’s On Like Donkey Kong

It's On Like Donkey Kong
But only if Nintendo says so.

The company filed a request with the U.S. Patent and Trademark Office in order to trademark the phrase, which they word as “in honor” of the approaching release of Donkey Kong Country Returns. At no additional charge the same PR spiel cites the pop-culture nature of the phrase’s use in music, television and film, which I would naively think reason enough toward why Nintendo shouldn’t be able to trademark the phrase.

Keep in mind I ain’t no lawyer or anything, just a dude walking the wasteland of gaming.

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