For those of us who have made the case for violence as art, a staggering lack of evidence has been our biggest downfall. Dismemberment, decapitation, gallons upon gallons of blood; it all rings the wrong bell for people like Roger Ebert and the Red Cross.
But then along comes White, an avant-garde take on painting a portrait in the style of a Jackson Pollock or an angry art major. From first-year students of the Graduate School of Games and Interactive Medias in France, White allows the player to paint a portrait using various weapons to murder anthropomorphic paint balls who giggle and prance along a barren white canvas.
Take for instance my own painting, after the break.